Category Archives: Writing

A Good Excuse to Read

For the last two weeks I’ve had the flu!  What fun.

Actually, it was kinda. Last year when we got the flu after our Christmas trip, I read a Vince Flynn book that I’d had on my shelf for ages: Transfer of Power. I enjoyed it a great deal.

Tranfer of Power

I’d read his first novel, Term Limits, years ago and thought it was really lame and juvenile, so I never tried another. But he went on to become a very popular, best-selling author, so I decided, in the hopes that he had improved his skills over time, I would try his second book, mentioned above. Surprise!  I liked it.

Of course I did have the flu, and it was a welcome diversion from the wretchedness of being ill, but really, I thought it was pretty good. Transfer of Power is the first one where his series hero, Mitch Rapp is the main character, and it is about terrorists taking control of the White House, killing dozens and taking hundreds hostage. Rapp, the CIA’s “top counterterrorism operative” is sent in to take care of the problem.

With this most recent bout of the flu, I turned to Flynn again, seeing as I had found at the used bookstore the next two of his novels in the series: The Third Option and Separation of Power.

Third Option

I read both, back to back, all the while going through boxes of Kleenex almost as if I were some sort of Kleenex soiling machine. (I couldn’t believe how fast I went through them, nor how much “stuff” I had to soil them with!)

The verdict? I enjoyed both books, though I struggled at bit with The Third Option at the beginning because I kept getting lost. Finally about a quarter of the way through, when I realized I had no idea what was going on, I wondered if I was no longer capable of reading books as complex as these with my aging brain… Or was the problem really Flynn simply not being clear? After all, the characters in The Third Option had been presented as if I should know who they were, but I couldn’t remember any of them and there were no reminders for those who might be in my position.

Finally I went back and dug up my old reviews of Term Limits, his first book, and made my first discovery — the characters I was puzzling over In Transfer of Power were indeed the main characters in Term Limits. A book I’d read 11 years ago!  No wonder I couldn’t remember them nor the operations they’d taken part in!

I also went back to the beginning of The Third Option and started going through the writing itself, just to see if it really wasn’t very clear.  (This is the kind of thing a writer does. Normal people probably don’t. If you are an aspiring writer, however, I recommend you do this… It can be very enlightening and help you avoid similar mistakes)

And what was the result of my investigation of technique? The writing was, indeed, unclear.

For one thing, Flynn writes from the omniscient point of view, which means he jumps into any characters’ viewpoint whenever he wishes all within the same scene. The problem with this type of point of view (pov) is that if you’re not careful you can lose your reader along the way, and that’s exactly what happened. You have to be very clear you’re making a pov jump and to whose point of view you are jumping, which Flynn didn’t always do.

For example, the first chapter starts in Rapp’s point of view where he’s walking alone through the woods in Germany, reconnoitering the estate he is about to “invade,” then returns to a cabin where his two teammates have set up.  He enters. There’s some description of the man and woman already there,  the interior, and some equipment. Then it says

“Rapp had never met the man and woman before. He knew them only as Tom and Jane Hoffman. They were in their mid-forties, and as far as Rapp could tell, they were married. The Hoffmans had stopped in two countries before arriving in Frankfurt. Their tickets had been purchased under assumed names with matching credit cards and passports provided by their contact. They were also given their standard fee of ten thousand dollars for a week’s work, paid up-front in cash. They were told someone would be joining them and, as always not to ask any questions.”

All of that is consistent with Rapp’s point of view, which we were clearly in. In the next paragraph, there’s no reason to think it’s not Rapp’s as well, recalling things the Hoffman’s have told him about their journey to this point (or perhaps that he knew from other sources since he’s running this operation):

“All of their equipment was waiting for them at the cottage when they arrived. They started right in on surveillance of the estate and its owner. Several days later they were paid a visit by a man known only to them as the professor. They were given an additional twenty-five thousand dollars and were told they would receive another twenty-five thousand dollars when they completed the mission. He had given them a quick briefing on the man who would be joining them…”

The problem is that this second paragraph is all from the Hoffman’s pov and includes information Rapp does not have. But there’s nothing in the text to give you even a hint of that. In fact, in paragraph one they’re told by their contact that someone will be joining them and in paragraph two that this “professor” has joined them… so… it seemed logical to put those two together, all of it stuff that Rapp knows about.

Except that he doesn’t, as I said, the viewpoint having shifted out of Rapp’s specific awareness at the end of paragraph one and into a general omniscient.  And since that’s not remotely clear, the result is confusion on the reader’s part. At least on this reader’s part.

You could say this was the fault of the reader not reading carefully enough, but I disagree. As an author, you want the reader to rip through your story, especially if it’s a thriller. They aren’t going to be reading carefully, they’re reading to find out what happens and “How is he going to get out of this?!”

 No, it’s up to the author to make it all clear and smooth so the reader always knows through whose eyes he’s experiencing the story.  C.S. Lewis once said something to the effect of (I’m paraphrasing) “Readers are like sheep going down a path. If there’s any way for them to go besides the way you want them to, that’s where they’ll go. Hence, you have to make sure that every gate is closed to them except the ones you want them to go through.”

I don’t think Flynn did such a great job of that in The Third Option, at least not in the beginning. Once I had figured it all out, though, I enjoyed the book quite a bit. And it was especially  good to know I wasn’t all washed up as a reader of complicated political/military thrillers, which I love! 🙂






Why Not Try This?

Last week, having discovered the nine-year-old post I “reposted” yesterday, I decided to put the “discoveries” I’d made therein into practice. I would take all those pesky cards with all their suggestions and ideas that I’d found so confusing, and assemble them into a list.

Except, when I went to do that, I discovered that the cards had disappeared. After a few moments cogitation, spiced with alarm at the notion I might somehow have thrown them all away,  I recalled that I’d already made a list of them, and furthermore, that it had been more or less incorporated into a very wordy and long-winded “outline.”  (I use the word advisedly. It isn’t so much an outline as a… conglomeration. Maybe a step up from the non-ordered list mentioned in the last post, but nowhere near any kind of cohesive outline.)

That I forgot having already made my list, is yet one more result of the fractured nature of my life these days. I seem to get in a couple of good days of work and then… Things Happen that I must deal with, or that distract me despite my intention not to be distracted, and when I finally get back to work, I can’t remember where I left off. That’s because I never envision the latest weird distraction that may come up to consume my time the next day and keep me away from the office, so often I don’t make detailed notes of what I must do next. (And that assumes I even know what I must do next.)

If I do make notes, when I come back to the work after the interruptions, I often can’t figure out what they mean nor recall what I had in mind when I wrote them. So once again I’m left sitting there with a feeling of confusion, my head full of whirling thoughts and ideas and ‘maybe’s,’ but nothing concrete. So there I sit, staring at the computer screen, or the papers on my desk… getting nowhere, wanting to run away, and finally recalling that I should to take my problem to the Lord, which I did.

And He delivered the following, which I happened to find amidst my papers — which is to say, I can’t recall how I found it, only that suddenly it was lying there on my desk and I picked it up. And read it:

Cobble notes card

[Transcription if you can’t decipher this:  “Here’s something I’ve been doing (22 Feb 2005): Just putting my narrative notes right into the chapter, or cobbling snatches of dialog together in order to get something going — instead of sitting down and writing the sequence out whole cloth.”]

And by “writing the sequence out whole cloth,”  I meant “start with the fully realized scene and just write it out as it might appear in the finished copy” (yes, I was delusional, but often delusional people don’t realize they are being delusional). To do that, of course, I needed to figure out all the details in advance which was where I was getting hung up.

But hey, this note from the me of the past suggested I forget about trying to make it all orderly and cause and effect and logical… instead of all that, just get the stuff down. You can always change it later.

So that’s what I’ve been doing. If Sevorius is going to walk into the room Varko is in… do I have a description of that room somewhere? Grab it and put it in. What about Varko? Do I have a description of him? Oh yes. In fact I have pages and pages of notes on him, including all manner of details. So I copied and pasted the description, and worked in some of those others notes, and  so on.

As I saw again how sometimes that was all that was needed to get a scene moving. And if not, I’d just stop, type in a


and move on, inserting or laying down whatever other idea/dialogue snatch I had for that character in that general section of the story. It’s what I did yesterday and I ended up with 15 pages of chapter 14 which I’m calling it done for now.

More than that, several things happened along the way that I hadn’t anticipated. For one, Sevorius is suddenly having panic attacks and he has no idea why.  For another, Varko wants him to look into my hero’s past, and suddenly a whole line of conflict I hadn’t thought of has presented itself. Yay!

Next up is chapter 15 and I’m going to continue mining my outline and voluminous notes for material to “stuff” into the chapter. That is, see if there aren’t some new interruptions – distractions – crucial errands/tasks that must be run/carried out/endured Right Now This Very Instant!!!  that I can put into my next scene.

Repost: The Outline

(Originally posted Wednesday, February 22, 2006)

I know I’ve said in different places that I tend not to make outlines, but that’s only partially true. There comes a point in the process of writing the story that I suddenly realize I have to at least tentatively plot the rest of the book.

Saturday I finished a very rough, very sketchy draft of Chapter 13, and with that reached the end of Part 1. After that I realized I had to plot the rest of the book. Until this point I’ve had stacks of index cards sitting around my desk. Stacks of things that might happen, or could happen, or will happen to Abramm. Stacks of things for Maddie. And Trap. And Carissa. Smaller stacks for others. Periodically I go through them and try to sort, but it’s usually very difficult, because they aren’t all even events. Sometimes the note is just of someone’s general mindset. Or it’s a note on the background situation. Or even a description. It might be a line of dialog that could really go anywhere. I probably have about six inches worth of stacks. Maybe more.

This sort of thing is very hard to order, and often I end up laying a batch of cards out on the desk in no particular order. I arrange a few of them together, shake my head over the rest, then give up and go back to whatever early chapter I was working on.

But eventually I have to know more clearly where I’m going and that happened last weekend. So for the last two and half days I’ve been taking the cards and putting them into a list. If I try too hard to put them into an ordered list, I will freak myself out. So I just require that I put them on the list, and assure myself I will deal with the ordering later. I got this idea from a book called Overcoming Writing Blocks, out of print now, unfortunately. It’s the one that suggested I make the index cards of Whatever Occurs to Me in the first place. And at this stage in the process it informs me that “a frequent cause of blocking is the confusion that ensues when you try to hold the entire pattern in your head at one time.” Amen, to that!

So you just sit down and you start listing your notes. “Once you’ve made the transfer from cards to list,” says the book, “you will automatically begin to engage that powerful ranking faculty everyone possesses: certain entries will begin to stand out from the page… others will naturally fall into secondary positions, to cluster around more important concepts that they support…” And how about this? It works.

I now have about 10 pages of plotline. Which is a good thing. The bad thing is that I’ve got waaay too much. So much, it makes me want to hyperventilate. So much, I have to back off, and put it all in the Lord’s hands. I don’t know how He’s going to do it, but somehow He will bring order to all this. And it’s a good thing, because from where I sit at the moment, it looks downright impossible!

Repost: Unmerited Grace


A couple of weeks ago, in the course of a really bad day when it came to making any progress on my WIP, and as I was lamenting yet again the fact that I had pitched the writing journals I’d kept during the creation of Return of the Guardian King, it occurred to me that maybe I had posted some entries regarding it when I first started blogging back in 2006 on Blogger. It would have been about the right time. And it like this blog was subtitled “The Writing Diary of Novelist Karen Hancock,” so it seemed reasonable to think that I might have actually posted something from my journals. Or barring that, at least something about my journey in writing that book.

Why did I pitch those journals? Well, “they’re all the same” I’d told myself. “I’ve been writing for over — ahem — forty years and kept diaries for most of those years. Why would I need to keep more?”

Well, because Return of the Guardian King was the first book I’d done in a long time that started basically from scratch. The Light of Eidon, The Shadow Within and Shadow Over Kiriath had all been completely or partially drafted before I had to work on them within the Bethany House deadline structure. RotGK was the only one for which I had little more than the most general of ideas where I was going when I began. Since that’s a lot of what I’m experiencing now with The Other Side of the Sky, it would have been really helpful for me now, had I kept those particular diaries.

So I went looking and happily, I found some entries. Since they reflect or at least speak to a lot of what I’m going through currently, I thought I’d repost a few of them now and then.

Today’s entry, originally posted to Blogger on February 18, 2006, is one such post: it not only described what I’ve been going through lately but offered helpful counsel:

Recently I came across this thought from Annie Dillard in her book The Writing Life,

“At best the sensation of writing is that of unmerited grace. It is handed to you, but only if you look for it. You search, you break your heart, your back, your brain, and then — and only then — it is handed to you.”

This struck me very strongly, because we’ve just been reviewing in Bible class how it is to search for God. He only reveals Himself to us if we search for Him diligently, as if we were hunting for treasure. Treasure hunters do not sit back and wait for the treasure to come to them. They go out and search for a likely spot and then they dig, and lug dirt and dig and lug. It’s not easy. When they get tired, they keep digging. When nothing turns up for all their digging, they do not quit, they go on. They try a new place. And finally, maybe three years later, they find that for which they’ve been searching. It is, in a way, handed to them.

So it is with the search for the story, for the perfect, right arrangement that will resonate, for the answers to the questions of who these people are, and what they will become, what is it I really care about, and what am I really trying to say? How can any of that be easy to find? If God Himself is not easy and simple, how can writing about what I know of Him and my life in Him be easy and simple? Spiritually now I’m beginning to grasp things I can’t even articulate. I cannot explain them with words. How can writing about them be easy?

It can’t. It won’t be. Some days I’ll find the silver and the gold. Other days it will feel like endless digging and lugging of dirt. The key is to keep going. To keep on learning about who God is through His word. To keep on writing. To trust that He is guiding me and that in the end I will not be ashamed. That in time it will all come together. If my motivation is correct, and the power system in which I operate is correct, it will be rewarded.

“If you seek her (wisdom) as silver, and search for her as for hidden treasures; then you will discern the fear of the Lord, and discover the knowledge of God…I, wisdom, love those who love me; And those who diligently seek me will find me. ” Proverbs 2:4,5; 8:17

Back to School

So what have I been doing besides viewing cute baby elephant videos, going to the zoo breakfasts in support/celebration of said baby elephant, and then making multiple return trips to the zoo to see her? Well, one thing is that I went back to “school.” In fact, I even wrote a blog post about my decision and how it was all going when I was about a week into it.

That post, written August 3, 2014 but never proofed, has languished as a mere draft in my posts folder for these last four months as I worked through part of the class, then stopped to switch back to Sky. And, lest you get the wrong idea, I didn’t stop because of deficiencies in the class, but rather because it worked!

This week I decided to go back and the post ready to share, so here it is:

Back to School

class flowers 2

Yes, it’s true. I’ve gone back to school, but I’ve done so without leaving my office. Actually I started a week ago, when I signed up for an online writing course taught by award-winning Canadian short story writer Sarah Selecky, who also happens to be a writing instructor.

It all started when I was considering going on a retreat — anything to get myself past the rather extreme blocking I’ve been experiencing with Sky. I thought maybe if I could just get away from all the distractions and focus, that it would help. There’s a place here in Tucson that I could go to, but all I’d have is a room with a bed. No desk. They’d provide meals, but with our 100+ degree temps it would be too hot to walk about the grounds, so I’d be stuck in the little room and I just didn’t know how helpful that would be.

Well, in the course of going online to research other retreats, retreats away, retreats at home, mini retreats, I stumbled upon a report by a woman who was on retreat — house sitting for friends in a beautiful place in the country for two months — in hopes of making some progress on her current book. Alas, she spent nearly the entire time NOT writing. Instead she watched DVD’s of a TV series, knitted a cap and scarf, went canoeing alone, watched woodpeckers at the feeder and generally just rested. (You can read it here.)

Then, about five days before she was to return home, she finally turned to the book she’d meant to work on. I loved her descriptions, and her observations about writing and resting really resonated. Of course it was Sarah Selecky, and one thing led to another. The next thing you know I’d found her writing instruction site, and signed up for both her twice-a-month email “letters” on some aspect of writing fiction, and her daily writing prompts sent straight to my inbox. I immediately began using the latter as a warm up for my daily stint of work on Sky.

The letters all linked back to other letters at the main webpage where I compulsively read one after the other, printing up the ones I found most helpful.  Before I knew it, I had a notebook full of printouts, which were underlined and starred and had been read repeatedly. Some titles are  “Six ways to look at an abandoned story,” “White Space,” “Don’t try to make it symbolic,” “Is it good or bad?” “Be Grateful for your crazy, active mind,” “Deliberate Practice: What it is and Why you need it,” and quite a few more.

She said so many things that helped, that reassured, that clarified, that pointed me back in the right direction! I kept expecting the next letter to disappoint, but it never did. Eventually, of course I had to check out the info on her class, Story is a State of Mind. And right at the beginning some of the things she said about what the course would do spoke exactly to where I was:

“Do you resist writing? You can train yourself to write anyway…(SSM) is a different kind of writing course. It trains you to work with uncertainty… learn to work with your creative mind, not against it…”

It sounded wonderful. But… she’s a literary short story writer. I have written short stories, but I consider myself more of a novelist. I have never really cared for the literary genre. Plus, I’ve been writing for 40+ years… so it doesn’t seem like I should need a class… but that last bit is just arrogance speaking. Maybe I have been writing for 40 years, but I’m not doing much of a job at it now. Maybe taking a class and getting a new perspective would be just the thing.

So I prayed, and printed up everything on the classes, and read all the reviews, which are many, and glowing, and again spoke to the very areas I am/was struggling with.  I prayed some more, and agonized a bit, because though reasonably priced, it’s not free… and what if it turned out to be a disappointment? And all that stuff we tell ourselves when we’re afraid to try something new…

So I prayed some more and then God had an evangelist friend, Scott Grande of Christ Saves Ministries, send out a newsletter in a timing that was absolutely impeccable. I opened it and here were some of the phrases that leapt off the page:

“Stepping out of the Box”

“If you are stuck in your spiritual routine and maybe rigid in your application of Bible doctrine, maybe you need to step out by faith; and if you err, err on the side of grace. God has your back, so long as your motivation is good”.

“Are you stunting an avenue God wants you to take? Do you think the Spirit works in only methodical and predictable ways, where we get to stay “in control”?”

“Many hold to certain things because they don’t want to step out of their comfort zone, even though the Spirit is leading them there! … Be open to what the Spirit is showing you. It is most likely not what you thought it would be.”

That was so precise, so tailored to answer precisely the things I’d been thinking, the objections I’d been marshaling that I knew it was the Lord. And shortly after that I signed up.

A week later, I can say I have NOT been disappointed! It’s been exactly what I’ve needed to get back on track.

December 7, 2014  I put the class on hold about a month later, but despite my early and temporary “abandonment,” I fully intend to get back to the class when I’ve gotten a bit more work done on Sky, and the holidays are over. That’s one of the beauties of it: it’s completely self-directed, and in fact downloadable, so I have all the videos and materials on my computer, waiting for me to get back them when the time is right…  

Keep a Quiet Heart

Keep a Quiet Heart is the name of one of my favorite Elisabeth Elliot books. The title comes from a piece written by a woman named Annie Keary who lived during the 19th century, a piece which is also used as the frontispiece for Elliot’s book. It is something I have kept coming back to repeatedly for the last almost twenty or so years. And lately it’s been more helpful than ever.  So I thought I’d share it here:Do Not Rush 001

 “I think I find most help in trying to look on all the interruptions and hindrances to work that one has planned out for oneself as discipline, trials sent by God to help one against getting selfish over one’s work. Then one can feel that perhaps one’s true work — one’s work for God — consists in doing some trifling, haphazard thing that has been thrown into one’s day. It is not a waste of time, as one is tempted to think, it is the most important part of the work of the day — the part one can best offer to God. After such a hindrance, do not rush after the planned work; trust that the time to finish it will be given sometime, and keep a quiet heart about it.”   

Annie Keary 1825-1879

Why Artists Aren’t Nuts, Just Artistic


I came across the following quote awhile back, waiting for a time to post it. Today I was supposed to rest from my five days of working on Sky last week, and while I did not work on Sky, neither did I rest. So, this is a good day for a quote type post.

I found this piece  through Micah Mattix’s Prufrock, a daily newsletter on books, arts and ideas with a slant toward Christianity. It’s from an article in The Globe and Mail by Russell Smith entitled, Why artists are not actually mad, just artistic:

“…previous studies seem to confirm a link between creativity and madness: Swedish researchers at the Karolinska Institute found last year that writers had a higher risk of anxiety, bipolar disorders, schizophrenia, unipolar depression and substance abuse, and that they were almost twice as likely as the general population to kill themselves. (This was reported in the Journal of Psychiatric Research.)

The researchers were also quick to point out that certain traits of the disturbed – such as disordered thoughts – are beneficial to artists. They did not address the chicken-egg question of what comes first, the nutsiness or a life spent in unstructured, self-employed, unremunerated, competitive and critical professions.

That last sentence always makes me laugh.  Yeah! What about all that stuff, huh?



Quotes From Famous Authors

(Quotes courtesy of Overcoming Writing Blocks. Comments courtesy of moi.)

 “Let’s face it, writing is hell.” ~ William Styron

 Yup. Have to say I agree.

“How do I know what I think until I see what I say?” ~E.M. Forster

 Oh, this is even more true. More on this later.

“Writing, like life itself, is a voyage of discovery.” ~Henry Miller

 Yes, indeed. Definitely a voyage, complete with wind, waves, rain, seasickness, dark miserable nights, getting lost, being pitched overboard, having huge fish swallow you, then vomit you up on a foreign shore you didn’t want to go to …Okay, I’m getting carried away…  But only a little.

“I never knew in the morning how the day was going to develop. I was like a hunter, hoping to catch sight of a rabbit.” ~ E. B. White

Amen to this! And when my hubby used to take me hunting I did the same thing then, that I do now… trudged up and down hill and dale in the Blue Wilderness after him, thinking there was nothing out there and we were just wasting our time and when could we stop this fruitless trudging and go home? In fact, it was on one such trek that was so fruitless and uneventful I spent the time coming up with a rudimentary plot for The Light of Eidon, figuring out Abramm’s name and Trap’s as well, if I’m recalling right…

Wait… does that mean maybe I found the “rabbit” after all, and simply didn’t realize what we were “hunting?” Hmmm…

Writing a Novel: Why It’s So Hard

The following is something I wrote years ago, and keep in a notebook I’ve labeled “Inspiration and Encouragement”. I thought I’d already posted it, but can find it nowhere in either of my blogs (WordPress and Blogger).

I found it again today, when I went searching for some “inspiration and encouragement” and it so describes what I’ve been going through the last couple of days (yes, I’ve actually gotten into the office and worked for three days running now!) I thought I’d post it here.

Writing a Novel: Why is it so Hard?

Because it’s work. And work is hard. Work is not walking up to the tree and pulling off the fruit whenever you happen to want some. Work is breaking the soil, which does not easily yield. It is striking over and over with the hoe; it is crumbling it to a fine consistency, preparing it for the seed; it is sowing the seeds, a few at a time, walking down each row, one after the other. It is watering and waiting and weeding. And waiting. And weeding. And thinning and watering and waiting and pruning and watering and waiting and weeding and watering and finally harvesting.

Work involves doing the same thing over and over and over until you get the result you want. It often involves discomfort – muscles get sore and tired from use, skin forms blisters, callouses, emotions deflate from an initially excited anticipation and determination to frustration and even despair.

You can do more work, the more you practice it  – the stronger you are or become, the more work you can do. Even so, eventually you will reach a point where you’ve hit your limit and have to rest.

So with writing. Banging on that hard soil with the hoe is not easy. It must be done again and again. It takes effort, time. You must keep doing it, though you are uncomfortable and tired, though you are not seeing very much progress (if any). You must wait, and you must be patient. Just as the seed germinates below the ground without your awareness, so do many ideas and solutions germinate in your soul and mind, below the ground, without your awareness.

It’s hard because it’s work. We are to expect it to be hard. Embrace that, be organized, professional. Don’t complain, don’t give up, but throw yourself into the work with maximum effort and enthusiasm. The more you pound on the hard ground, the sooner it will yield, the sooner it will be soft and fertile and ready for the seed.

Remember, too, that much of the process does not involve our own effort. We cannot make the seed germinate faster, or the plant grow faster. We must wait, even as we work. We must rely upon God to provide the germination and growth, to protect, to provide the nutrients in the soil so that the sprout will become a seedling and the seedling a plant, bearing fruit in its time…

Faster than a Herd of Turtles

"Off like a herd of turtles..."

“Off like a herd of turtles…”

Well, I’m happy to report that I have continued to work regularly on Sky. I did 2 1/2 hours a day last week, and so far 3 hours a day this week. All time I actually spent focused on the work at hand instead of everything else in my periphery.

As I’ve mentioned before, I’ve done a number of things to help myself be more productive — trying to get to bed earlier; keeping things picked up and put away so I don’t see them when I walk out of the room and thereby get distracted; using Freedom and turning off the phones. And they have helped. But overall, I think I have to chalk this up to the Lord’s doing. I feel different about it all now, and it seems almost effortless to get to work…

But I did have to get to a point of despair when it came to my own efforts and finally just give it all over to Him:  “Here, Lord. I can’t do this. You handle it.”

I finished chapter 6 on Monday and started chapter 7 the next day. Today I continued on Chapter 7 and so far I have 10 pages.  It’s difficult to describe how I work, because it’s pretty chaotic. I have ideas, snatches of conversations collected on various papers, cards and electronic documents. They show up when I’m making notes about what’s to happen next, or when I do nonstops about the work. I also have a sort of outline for the events/incidents that are going to happen.

So what I’ve been doing is just putting those altogether, thinking about the resultant mix, starting to question various elements of that mix, sometimes to answer the questions I posed and from all that to begin to gather and shape the ideas into a coherent narrative.  And it does appear that something interesting is emerging. I’m excited!