Category Archives: Novel development

Recon

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swaths of gold small

If I am to liken writing a book to fighting a battle, or preparing to build or whatever, it is important that one count the cost. To do the recon first. If you send soldiers out into the field and tell them okay, I want you to explore all this region and map it for us, since we have no map, and I want you complete that in three weeks – that would be a ridiculous assignment. No one knows what’s out there. A more reasonable assignment would be to send the people out to map for a particular period of time. Then evaluate what they have and decide the next step. External factors may demand decisions be made on less than complete information, whereupon the outcome becomes far less certain.

Might need to have a number of recon assignments before you are ready to launch any kind of operation.

In book writing, you never really know the terrain until you’ve actually written the first draft. You can stand at the edge of the unknown territory and see there’s a mountain there, a valley there, a canyon there. You can surmise what you will find, and you can estimate a route. But until you are actually down there and walking through it, you cannot know how it will go, where it will go, what you will encounter, etc. So I think it is time to plot the book, try the first trip through the wilderness and see where I end up.

Light of Eidon Scrapbook

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Continuing my series highlighting the first book in my Legends of the Guardian King series, The Light of Eidon, I thought today I’d draw your attention to the scrapbook I developed for it, similar to the one I did for Arena.

In it I put up several photos of the ancient Nabatean city of Petra, which served as inspiration for the canyons of the SaHal in which the action plays out at the end of the book. There’s even a link to a virtual tour of the area.

Also included is a picture of an LL Bean model from the late 70’s that served as the inspiration for Abramm,

some information on swords, a map of the city of Jarnek,

and a cartoon that was pinned to my bulletin board for years.   If you’ve read The Light of Eidon, you’ll probably get the connection. If not… well… as you know, it’s being offered free as an e-book this week HERE… or you can try your local library. Amazon even has a few paper copies both new and used for sale…

To visit my scrapbook for The Light of Eidon, click HERE.

 

The Genesis of The Light of Eidon

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As I mentioned yesterday, in light of this being the last week that the first volume of my Guardian King series, The Light of Eidon will be offered free as an e-book by various vendors, I thought I’d pursue a theme of putting up some posts about the book.

In a previous post, I related that the inspiration for the series sprang from my seeing the very first Star Wars film (A New Hope) – which, like a lot of other people, I fell in love with – coupled with spiritual truths I was learning from a Bible study book by Col R. B. Thieme, Jr, called The Christian Warrior.

In Star Wars, I especially loved the idea of the hero’s journey from weakness to strength, the light sabers, and the concept of The Force, which at the time seemed like a great metaphor for the Holy Spirit.   

Especially in light of The Christian Warrior, which explores the biblical subject of warfare, both temporal and spiritual, using the template of a Roman soldier as a metaphor for exploring, defining and illustrating comparable qualities, preparations and experiences for the Christian soldier.  (“Suffer hardship with me, as a good soldier of Christ Jesus. No soldier in active service entangles himself in the affairs of everyday life, so that he may please the one who enlisted him as a soldier.”  2 Ti 2:3,4)

 Major chapter headings include Temporal Warfare, The Cause for Warfare, Jesus Christ Controls History, The Principles of Warfare, Military Metaphors in Scripture, Paul’s Contact with the Roman Military, The Roman Soldier in Paul’s Day, Roman Decorations and Surpassing Grace Rewards, and so on.  

Toward the middle of the book Col Thieme discusses the equipment we’ve been provided as Christians for the conflict, itemized in Ephesians 6: the belt of truth, the breastplate of righteousness, the shield of faith, the helmet of salvation, the sword of the Spirit.

I loved the idea of the filling of the Spirit providing the light for the sword, something that might come and go depending on whether the soldier was in fellowship at any given moment. So that’s where I started.

The Bible teaches that our warfare in this age is invisible. We cannot see our real enemies, the fallen angels, nor do we see the Holy Spirit, indwelling all believers, nor Risen Christ, seated at the Father’s right hand.

Like them, if we actually learn to put on our armor, take up sword and shield to enter the conflict, we will be “Invisible heroes”. Which may be one reason why I am so drawn to many of the superhero stories: they often have a mild-mannered persona that leads most people upon meeting them to discount them – eg, Superman’s Clark Kent, Spiderman’s Peter Parker, Batman’s Bruce Wayne. 

I see in them a perfect metaphor for the Christian soldier, who is among the “not many wise according to the flesh, not many mighty, not many noble” of 1 Cor 1:26.  Like them we are “unknown but well-known” (2 Co 6:9). Unknown to most of the world, well-known to those we fight and those we fight alongside. And the angels who are watching us.

So I wanted that element in the story as well — someone who is perceived as weak by all, turning out to be not so weak after all. Especially as he uses the power of God.   Thus I would to tell the story of a man moving from weakness to strength, both physically and spiritually, and at the same time illustrate the entire trajectory of the Christian life, as well… chronicling the coming to faith in Christ, (or in this case Eidon,) then growing through the three stages of the spiritual life: babyhood, adolescence and finally maturity. Which is the ultimate of going from weakness to strength.

I was green enough, and deluded enough to think I might accomplish all that in a single book!

Somewhere toward the end of writing the first draft of what is now The Light of Eidon, I realized that was not going to happen. And even though trilogies were all the thing at the time, I had to settle for a tetralogy. The Light of Eidon would be Abramm’s journey to Eidon himself, as well as being molded into a hero strong enough to fulfill the destiny Eidon had for him.

In the five-year gap that occurs between The Light Eidon and The Shadow Within, I skipped over his baby phase and moved right to the end of that stage where he takes the first step of walking into his destiny… in this case, contesting his younger brother for the crown of the land that Abramm should rightfully wear.

Shadow over Kiriath brings him through spiritual adolescence and The Return of the Guardian King embodies the evidence testing, as Col Thieme called it, of the mature believer. By which he meant the believer’s ability through spiritual growth to reach a place where he can be deliberately tested by Satan as to just how far he will trust God, how much will he stick with what God’s word says. This is illustrated by Job’s experience and Jesus’s own testing in the wilderness by Satan in Matt 4– though Abramm’s testing is more like Job’s than Jesus’s.)

It was all so nice and tidy when I outlined it. Trying to put flesh on the outline was something else entirely, far more messy and complicated than I ever could have dreamed.

 Looking back, I should have known it was going to take a long time.  You can’t write about a journey like that without living at least some of it. The funny thing, at least for me, is that “maturity” always seems like something off there in the future.   The end of the story doesn’t really end until you’re dead. Or “promoted” as I like to think of it.

Col Thieme called it a “Permanent Change of Station.” I like that, too.

In any case, I originally had ideas for Abramm’s death, for his sons to carry on, for the Dorsaddi to return…

If we stick around as a nation long enough, and I finally manage to finish my current WIP, I’d like to go back to Abramm’s world and tackle that. But we’ll see what the Lord has in mind.

Again, if you’d like to try out the first volume of my Guardian King series, as a free e-book, click HERE.

 

Incubation

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“Mulling over the problem in a sort of chaos of ideas and knowledge, letting go of certainties… entertaining widely differing or incongruous ideas so they can coexist long enough conceptually in order to be considered as a new composition.”

That’s “incubation.”

So when I am having a day like I described in the nonstops of yesterday’s post (Walking in Fog) or looking at the note cards spread across my desk and each one is an item that has little to do with any of the others, or there are clumps that relate, but no sequence that is emerging… they just are all there, like jigsaw puzzle pieces… I am in the process of entertaining differing or incongruous ideas together.

Incongruous: lacking congruity; not harmonious;  INCOMPATIBLE (not compatible: as a) incapable of association or harmonious coexistence; b) not conforming. DISAGREEING “conduct incongruous with principle”,  c) inconsistent within itself: “an incongruous story” d)  lacking propriety : UNSUITABLE “incongruous manners”

So if you have two ideas, say, “Abramm plans his way” and “He thinks about Blackwell…” those don’t, on the surface, have anything to do with each other. Nor does, “Trinley and Rolland argue about Abramm’s reign.” They are all three incongruous and when I think about it, I feel this frustration. Because I can form no connections.

Not that I’ve consciously tried to form connections, just that I survey the stuff and there aren’t any. So I’ve lately been just collecting it all into a chapter. Then I read the chapter and it jumps all over the place. Because there is no sequence, no organization. It’s chaotic, it’s a collection of different things, ideas, actions, feelings… sometimes they contradict each other. They can’t both happen, but I don’t know which one I want to happen. And it is very uncomfortable.

You’d think I’d have learned by now to get comfortable with it, but I haven’t. Reading files like this one, written as it was back when I was starting Return of the Guardian King is helpful.

As is the realization that this very thing that I find so frustrating is probably a key ingredient to making my books work. If I just laid down a simple sequence, chose a few things and went with them, I wouldn’t have so much to wrestle with. Writing would go more quickly. Unfortunately I would be very bored… which means my readers would also be bored.

And consciously trying to link my incongruous ideas not only won’t given me the final answer, but may lead me off on 100 page rabbit trails. I just have to resign myself to waiting until it falls together on its own, in God’s timing, not mine. Thus this stage will always be here, this mulling stage where I have the incongruous and widely differing elements coming together to form something new. I have no idea what that is, so how can I possibly guide it? I can only play with it.

And pray for guidance. And wait.

Walking in Fog

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Last week, in the process of looking for something else, I stumbled upon a documentI created in 2007 called “The Muddled Phase, which is a collection of quotes from various nonstops I had made when I was beginning The Enclave.

Once again, they track dead on with what I’m experiencing now with Sky, and it was such a help for me to read them, again, I thought I’d share.

“Gah!  I hate all this muddled thinking I’m doing!  Just completely mushed up and tangled.  Nothing clear, nothing right.  A mess.  Ideas float in and out.  Who knows if they’re any good?  They sort of fit, but then need modification.  I just don’t know what I’m doing.  It all feels like a stupid idea, I should just give it up and go write something simpler.  But . . .

“I do recall feeling this way about Arena.  And about Eidon, for that matter.  So.  Again, I must walk by faith.  And again I am in the fog.  Where I can’t tell if I’m going forward or backward, where I’m going, if I’m actually going anywhere, or just in a circle.

“In fact, it’s hard to even think about any of it.  As I start to grope for it mentally, it seems to recede and fall into a jumble.  I want to wrest it all into order, and yet there’s nothing to hold onto.  Not even a direction to head in.” 

–Snip questions, possibilities, ideas —

“Hmmm. That could be interesting.  Urk and urk.  Swirling again.  Maybe I should just try and write it.  I don’t know.  Maybe I need to lie down or iron or something.  Something constructive.  Something besides just sitting here staring at the wall having half-formed thoughts flit in and out.  It’s maddening.  Maybe I should just paint.  Or clean or . . . but I don’t want to do any of those.  I want some order.  I want a map.  I want it now.  I have to make it myself.  My brain won’t cooperate. 

“Interesting about …” [and then my mind flits to something that is completely irrelevant but bothering me at the time]

“Where was I?  Trying to distract myself?  Is this avoidance behavior?  I don’t know what to do.  Sit and wait, or try to make something emerge?  Reread the material or . . . sit and wait.  Lie on the couch.  Stare at the penguin mobile.   

“Oh this is a waste.  My brain is dust.  Ash.  Urk and urk.  And urk.  So many distractions.  I am becalmed again.  There seems to be an awful lot of that.  I need to rebound I guess and ask for guidance because there doesn’t seem to be any. 

Oh.  That’s right.  My emotions have been turned off, so I can’t look for much help from them.  I listened to two songs today that usually get me going, and they did hardly anything emotionally.   Maybe I shouldn’t be waiting for some great surge of  “It’s right!”  Maybe I should just look at what I’ve got and go with it, whether I feel good about it, or not.  Just do the plan I have,”

 From another Nonstop, later

 “Okay, I was being frustrated, angry.  I have need of patience.  I need to trust Him to provide and to be content in whatever state I find myself.  And if that is in not finding the lost object — AGAIN — then that is what I will be content with.  Looking for the object in my mind.  Or not finding the answer.  That’s what it is.  It’s not an object, it’s an answer.  An understanding. 

“And I haven’t found it.  And I feel as if I should be able to find it now.  Immediately.  But I can’t.  I look inside and only incoherent thoughts fly by.  Not even floating anymore, more like whirling, breaking apart, joining with others and breaking apart.  Maybe that’s what’s going on.  I don’t know.  Maybe I should just give it up and iron.  I am impatient.  I feel that I must get busy on this book.  That I must be professional and work.  That I must use my time wisely, when it seems all I do is write endless, worthless nonstops that get me nowhere.”

And then having read all the above, I opened another file, this one titled “Incubation” which justified everything I described above as being a legitimate part of the creative process. But I’ll save that for tomorrow.

Craft and Daft

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Recently I’ve been exploring various elements of WordPress, such as the new stats page, the “follow” function, the reader page, and on the latter, the WordPress Daily Post. Today’s Daily Post was on what it takes to get on their “Freshly Pressed” page, which is a best post of the week collection, or ten best for the month. That was interesting in itself.

Even better, though, was that through it I discovered this post by Oliver at his blog Literature and Libation. It’s part of a new series on writing he’s started called Craft and Draft, but it wasn’t long before I was seeing that as Craft and Daft.

Both titles work for this particular entry in the series (It’s called Craft and Draft: Character Counts), because it’s not only hysterically funny in a daft sort of way, it also resonated in terms of what the writing process is like for me.

He uses, of all things, photographs of various Lego figures to complement and illustrate the process he is outlining and explaining. That choice was brilliant. Yes, it’s exaggerated and simplified but that’s what makes it work so well. It’s easily applied to one’s own situation.

A vivid metaphor for how disconnected, discombobulated, and contradictory one’s characters (or world, or plot, or descriptions) can be — most likely will be, maybe even should be — when you’re moving through your initial drafts of the piece.

I will never forget his Lego man “hero” with the wooden leg, high-tech breathing apparatus, extra head with no face and best of all, a “period-inappropriate tricorn hat” which also happens to be on fire.  (You gotta see the photo, if nothing else. Here’s the link again. And you might as well read it while you’re at it, cause then you’ll have context for what I’m going to say next.)

I love it! As I said earlier, it’s daft, but TRUE. I call this process “cobbling,” and I’ve been doing it for some time — in fact, with every novel I’ve ever written. A process where  I just shove all the things I think I want in a scene together, whether compatible or not, with the promise that I’ll straighten everything out later. It’s a way of getting past the inertia, the inability to decide — eg, should he be high-tech (breathing apparatus) or low (wooden leg)?  And if both, how could I make that plausible?

(In point of fact that is EXACTLY what I’m facing with Sky, since it has a sort of Roman-flavored culture, but is high-tech as well, thought “high-tech” in its own way.  I’ve made the changes in the characters’ backgrounds, motivations, relationships, etc., just as Oliver described. But a lot of that has worked itself out now. At least for the beginning sections.)

This piece has reminded me how difficult this all is for me… in the sense of tolerating the chaos and uncertainty. But it’s also reminded me that there is something on the other side and that I have to go through all this to get there.

The only thing I took exception to in Oliver’s article was his contention that we force our characters to have whatever views we have decided they should have: “We force their beliefs onto them without even asking,” says he, “telling them what they’re passionate about, what they think about certain philosophical quandaries, and how they ultimately view the world.”

I’ve tried to do that. It doesn’t work. They sulk. They refuse to do what I want. Literally refuse. Everything goes blank. I can’t get them to talk or do anything. I avoid the work for days. I go back to it and they’re still stubbornly refusing to do what I want.

“No I will not go fight the fire. I don’t care if it’s dramatic, I think having the fire happen right now is a stupid thing.  Why in the world would I be out there, anyway? I’m not a fireman! And besides, it has nothing to do with anything.”

That probably sounds loony, but I’ve been through it enough, I know it’s so. Instead of me forcing things on them, I believe it’s my job to discover who they are and what their story is. When they don’t want to fight the fire, and the fire has nothing to do with anything, I need to find out what the “thing” is that I’m really supposed to be focusing on, because clearly I’ve gotten it wrong.

Of course it’s all coming out of my thinking, so maybe a better way to describe it in macrocosm is, what kind of story is it that I’m wanting to tell? What kind of characters am I wanting to tell it with? And I really have no idea at the outset. I can only muddle my way along, putting down the things that I like and seem to fit at the time without worrying about if they actually do fit.

In fact, I’ve been doing that with Chapter 3 for the last three days and I am almost to the end of it… maybe tomorrow I will be!

Just Ask For What You Need

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One of the prevailing messages the Lord seems to be giving me of late is, again, to come to Him and ask, to let Him do the things He’s called me to do.  In everything, but particularly the writing.

A week or so ago I listened to a message Pastor John taught last year, wherein his words so closely echoed what I’ve been dealing with this year, that I stopped the tape and wrote it all down.

He said,

“I still get in these situations where I’m a little intimidated (Me: YES!!!! intimidated by the book I’m attempting to write.”  “I know there’s something I need to be doing with these people (the characters in my book!) but I don’t know what it is. I don’t know what I should say.  (EXACTLY what I had been moaning about and experiencing regarding the book) 

He went on to describe himself as someone who when there’s too many people around, tends to get overwhelmed, thinking he has to deal with everyone.  In my case, there’s too many characters, too many possible threads, motivations, scenes, conflicts… too many possibilities. It’s a good thing to have a lot of possibilities — it makes your work richer. But it can be completely overwhelming and intimidating.  Thus I could relate completely to what he was saying.

It happens to Pastor John all the time. And then he realizes:

“You know what? I don’t have to come up with a great creative solution here! All I gotta do is go to my Lord, my Father and say, “Hey. You know what I want and you know what you want. Now you just gotta put the light bulb on. And He does!”

Well, I was completely blown away when he said that. It was so targeted to my situation, so completely apropos and yet… I hadn’t been doing that.  I thought I had to figure it out.

So what was the next thing he said?

“I can’t tell you how long it was where I thought it was up to me, ultimately. Me figuring it out, putting all the energy into it and … fail, fail, fail. And I was miserable, walking around with a guilt complex, feeling inadequate, horrible.

“But the fact is, God the Holy Spirit is the one who’s behind this. This variety of gifts, this idea that this is something where you can relax and understand that Ephesians 2:10 says He’s already ordained the things for you to walk in. All you gotta do is show up with a heart that’s wanting to serve with the bible doctrine that’s already in your soul and walk. And walking isn’t hard. No one gets a prize because today I walked…

“No, it’s God who’s doing the heavy lifting here. Just say, “Yes!” and put one foot in front of the other. Be positive, go in the right direction, show up and have a desire and God will take care of the rest.”

And in today’s message, he brought all that around again. We’re to grow in the grace and knowledge of our Lord, to abide in Him as He abides in us. We — I — can do nothing apart from Him. If I abide in Him and His words abide in me, I am told to ask whatever I wish and it will be done for me. And by this is My Father glorified.

Me abiding in the Vine and His words — His truth — abiding in me and then I ASK Him for what I need. This is pretty much the whole point, the whole deal.  That I come to understand more and more about grace — which is God’s unlimited capacity and desire to bless me — and the truth of who He is and then ask Him for whatever I need.

Like what do I do in the next scene? How am I going to get out of this corner I just wrote myself into? All the details that so intimidate, me, ask Him to show me. And I’m thinking that it’s important to be specific, rather than general…

So that’s what I’m hoping to do tomorrow. And I think I’ll just ask Him now to help me to remember that.

How I Got Back on Track

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For the first time in a little over three weeks I finally got back to work on Sky again.

I left off July 9,  working through Chapter 3 again, because Chapter 3 leads into Chapter 5, and Chapter 5 leads into Chapter 7, which is where I got stuck.

I have felt so lost for so long, I’d begun to wonder what was wrong with me. Then yesterday I had the vague memory that things had been as chaotic for me in the process of writing previous books as they are for this one. Particularly Return of the Guardian King.  I can’t seem to find the writing journal I kept for that one — it might be in my trunk of memorabilia buried at the back of the closet…but I didn’t want to go to all the trouble — and spend all the time — of getting it out. That’s when I recalled that there was probably something up on my old blog which I began back in February of 2006.

Sure enough, there was. I was starting Chapter 11 of RotGK, and having the same sorts of trouble as I am now. The very first entry starts out:

I’m supposed to be working on chapter 11 of my work in progress — Light out of Shadow. But I seem to be a master at self-distraction. The thing is, I’ve enjoyed reading others’ blogs and I’ve been thinking about starting one of my own for some time now. So I guess it’s not a huge surprise when I couldn’t seem to make myself get to work today on account of numerous interruptions and external distractions… that I should suddenly find myself here, completing one step after another (there were more than the three they advertised at the start of this) in setting up this blog.’

And the second one, There and Back Again,  detailed a process of story generation that is very much like the one I’m in the middle of now. It was exactly what I needed to read, to recall that I just have to get something down, that it’s going to change, and that that’s okay. Sure, make it fit as best I can, make it as plausible and consistent as I can, but don’t demand a lot from a first pass.  It’s just my way of getting some sort of framework sketched in.

I’d forgotten that I was supposed to be sketching, and started getting perfectionistic.

The thing I love about what I wrote in There and Back Again, is that it reminded me how uncomfortable and blind my process is. How I can have no clue what to do one day, way too many options, unable to choose and then the next day, one little thing seems to lead to another and before I know it I have a sequence.

It reminded me of how I can look at what I’ve done, be dissatisfied, come up with some alternative ideas that seem to work and then be unable to write them. When I try they just lie there, dead and dull. Then after a couple of days, and a few seemingly minor tweaks, all comes clear. The chapter which formerly was “a disaster” and “ALL wrong” and “never going to come right”  somehow comes right.

One day it’s AWFUL and HOPELESS; the next I wonder what in the world I was thinking, because it’s clearly just fine.

Reading through that post, being reminded of all that helped me get back into Sky today.

I also received a number of hits from the Lord concerning the matter of priorities.

First Pastor John taught on our number one priority in the Christian life being to grow in grace and knowledge of our Lord Jesus Christ. “Is that really your #1 priority?” he asked.

Well, yes, of course it is, and I know that doesn’t just mean the daily reception of Bible teaching, it also means application of that teaching and, once one has grown enough, operating in the spiritual gift one has been given.

Not an hour later I started listening to a presentation by Thomas Umstattd over at the Bestseller Society on Time Management and in the first 4 minutes heard:

“If you don’t manage your time, the world will do it for you. Anything around you — coworkers, the world, your boss, your family, the TV…  those will fill up your hours for you.”

“When we say, “I don’t have time for something,” what we’re really saying is “That’s not as important as the other things that I do.”

and

“You can tell what your priorities are by how you spend your time. We have what we believe our priorities to be and then we have what they really are.”

All of that together coming in just a few hours, convicted me. I have not been giving writing the proper spot in my priorities.  “Whatever is most important to you,” said Umstattd, “that needs to be the first thing in how you schedule your time.”

So, I’ve reconfigured things a bit, and today using the pomodoro technique (modified) I put in 3 1/2 hours on Sky — first thing after I finished my morning routine. And that makes me very happy.  😀

A Tomato, a Coin and a Die

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Today I actually managed to get around to working on Sky for a good five hours!Actual story writing as opposed to  note organizing. A tiny bit of progress.   YAY!

I did so using a new technique that I’ve recently discovered and an old one I’d forgotten.

A Tomato

The new technique, developed to help increase productivity, is called The Pomodoro Technique, so named because its inventor used a red tomato kitchen timer to implement his system. He’s Italian and “pomodoro” is Italian for tomato.

The technique was designed to also investigate where various distractions originated and to provide a means of dealing with them.

I used it pretty much as outlined (click on the link above for the full thing) when I started a couple of weeks ago.   There is a free booklet you can download and some official pages as well:  a To Do Today sheet and an Activity Sheet.

You list the things you want to do on the first sheet. In the beginning, I listed things like “write a blog post,”  “read through all my notes on Sky,”  “transfer information on sheets to little cards,” etc.

Then you set the timer for 25 minutes  (a “pomodoro”) and get started. If you suddenly get a thought to go do something else, you are to make a tic mark in the column next to where you listed your task, then decide if the activity must be done  right now, or if it can be done later. If later, you note it on the Activity Sheet. If you feel it’s imminent — you absolutely HAVE to order that pizza now — you note it at the bottom of the To Do sheet.

One of the iron clad rules is that you cannot spend more than a minute or two on some distraction so if you do get up and order the pizza, then you have to void the pomodoro and start over, even if you’ve only got five minutes left.

It was in intriguing exercise which made me aware of all the things I kept thinking of doing in the middle of when I was supposed to be writing. Internal distractions the developer called them. They seemed to come rapid fire at first. But because I had the timer on, I stopped getting up to go do them and just noted them on my activity sheet. The more I used this technique, the less internal distractions I had. Plus having a place to note them helped a lot.

After the timer goes off, you place an X in the column next to your task, then take a 3 to 5 minute break to walk about, stretch, visit the restroom, or get a drink. Then it’s back to another pomodoro. . After four pomodoros you get a longer break of 15 to 30 minutes.

It’s not as complicated as it might sound, but it’s pretty regimented and while at first it did a lot to get me back on track, ultimately I rebelled and one day I just couldn’t make myself do any of it and went out to play. I’ve since abandoned the activity sheet, since it’s not all that relevant for me.

I have, however, stuck with the 25 minute increments and the three-minute breaks, the latter because they get me out of the chair and walking around or stretching and that’s good for the body. And the former because I not only have to somehow quantify my task (“work on the book” is not specific enough) but it puts a beginning and an end time to it (as opposed to doing it “until I get tired”)

Before, if I hit a snag there was a good chance I’d just get up and walk out of the room on some inner directed tangent. With the pomodoro, I at least wait until the timer rings before walking off, though even then I haven’t wanted to dive into some other thing.

So that’s the new — modified — technique I used today.

Yes, I know… rules again. But not exactly. I think they’re more just useful guidelines that keep me on track. So for now I’ll keep using them. I have my own “pomodoro” all set up under my computer screen.

A Coin and a Die

The other technique, the one I’d forgotten, was to use a coin to build my characters. I had five male characters who were nothing but names that I needed to be in the scene I am currently working on.

So one of the things you can do and which I had actually made charts for years ago, is to divide characteristics into twos… tall/short, fat/skinny, muscular/frail … then flip a coin to determine the characteristic — eg, heads, he’s tall, tails he’s short.  If you have more characteristics than two, like hair or eye color, use a die — assign a color to each number, then roll the die.

It’s a way of breaking through the blankness. As the characters started to emerge, I found myself thinking, “Wait, I don’t want him to have light brown hair, it should be black instead.”  Or, “No, he’s not going to have a beard, he’s going to be clean-shaven.”  You aren’t bound to whatever the die or coin dictate, but if you don’t care, it’s a way of actually getting something to take shape.

So that’s what I did today using my pomodoros, and my coin and die. I now have five index  cards and five characters with a fair amount of definition. Since these are minor characters, I’m not yet sure how big of a role they’ll play so I don’t want to go too far in developing their profiles. For now, I have enough to work with.

Another thing I did, that came out of nowhere, was that as these guys were coming together I started seeing parallels to some of the Avengers, so I decided to just go in that direction and use the Avenger characters as a rough guide for my development. Oh! Horrors! She’s copying movie characters!

Not exactly. I think it was more a general template and lifting one or two characteristics from each. And it was fun. I know in the end it won’t be noticeable, because once they get “real” for me, they’ll take on their own individuality. Besides, they may turn out to have almost no role at all. I have no idea at this point.

All I know is, it helped me work, and as a result I ended up with one guy who’s a techie and another with anger issues. As an additional bonus, those two qualities triggered thoughts about the setting and the situation and suddenly the whole scene — characters, interactions, setting, situation and action — gained richness and substance and direction far beyond what I had when I started.

Oh yeah, and that new laser TSA is going to be using in 2013 — the one that can read your cells from 164 ft and tell if your adrenaline is rushing, and what you ate for lunch and if you have explosive residue in your fingerprint creases?  Well that’s just perfect for this scene as well. Only it won’t be a laser, and there isn’t any airport. 😀

Relearning the Story

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In addition to the developments I described in my A New Week post the other day, I’ve also had a change of focus with respect to what I am doing in regards to the book writing itself.

You may recall I’ve described time and again the feeling of blankness that’s come over me as I go in and try to work. The sense that I have no idea what I want to do, what anything’s about, where I’m going…

So concurrent with the other realizations… or are they new directions? …it suddenly occurred to me that I have an entire notebook of developmental notes on this novel-in-progress. A fat notebook. I have writings about characters, about various aspects of the world, the races, the churches, the conflicts, the aliens, the history…the PLOT!

A notebook I’ve been ignoring. So, recalling that I had this notebook full of stuff… I thought maybe I should be looking at that instead of trying to pull stuff out of the air, or “remember” what I had intended. Plus, just coming in and reading through all these notes (many from 2001) I’ve given myself something concrete to do, something I actually can do, and that, I think, will help me to reform the habit of daily work.

So far it’s been very effective.  🙂